那时007的导演福斯特固然之前文艺范儿作品口碑不错，但明显对这类生猛海鲜明显难以把握，硬生生将英国名流弄成了和伯恩一样脏兮兮的冒死小伙。

　　　　实在在《战马》的初始场景中并没有烽火，而是出力表示了20世纪初期英国农村糊口的那种伤感调调。

当弟弟妹妹使用计策接他到北京后，傅老大的一些表现让观众开怀大笑

另外一处成心思的片断，是在早晨的纽约，开宝贵跑车逾越哈德逊河回公司的路上，一个华尔街老兵教育新人的话："If you really want to do this with your life you have to believe that youre necessary. And you are. People want to live like this in their cars and their big fucking houses that they cant even pay for? Then youre necessary. The only reason they all get to continue living like kings is because weve got our fingers on the scales in their favor. I take my hand off and the whole world gets really fucking fair really fucking quickly and nobody actually wants that. They say they do but they dont. They want what we have to give them, but they also want to play innocent and pretend they have no idea where it came from. Thats more hypocrisy than Im willing to swallow. Fuck them. Fuck normal people."短短几句话，绝不传教，刹时让这部片子和inside job之流的文艺青年说教片高低立现。...